When I decided to make myself a pedalboard, I spent hours … actually days or maybe even more correctly weeks researching effect pedals, but didn’t give the power supply much thought. My only concern in that direction was how much power the different models delivered, and if it would be enough power … I should be wiser.
I read about true bypass, I read about the latest releases of pedals and I saw tons of videos on youtube with dedicated people showing their boards. These enthusiastic pedal-lovers were playing the same pedals with different guitars thru different amps, sometimes even comparing different generations of the same pedal.
After some research on the internet, I knew what I wanted to check out myself and I started spending time in music stores with my guitars. After the first round of testing I brought a bounch of pedals to my studio and started trying them there. Normally only one at a time, but sometimes a few together. But not like “everything” together and I did all the testing on batteries … no power supply!!
I ended up with some very nice stuff I think – you can read more about my board here.
My board spring 2013
After some weeks I was ready – I had decided what board I wanted to mount everything at, and started doing that. I had bought some instrument cable that have been recommended by many people and a power supply that should be able to deliver all the power I needed.
When everything finally was connected and I turned the power on – I was disappointed. There was a hum … not very loud, but annoying.
This blogpost is the third in a series of three about pedalboards versus rack-setups
In the first post in this series I wrote about the equipment I started out with and in the second post I told you about all the advantages I had from my rack-setup – today I’ll write about what I’m using at the moment and why I chosen as I’ve done.
Actually there wasn’t that many reasons for considering other solutions than my small rack-setup … but there was a few.
One was that I started to play more abroad. Often it was impossible to get the same setup I had back home – meaning that even if I brought my presets with me on a memory-card, it wouldn’t work. And in addition to that, it was very expensive to rent something like my normal rig – and really a waste of money, when I wasn’t able to use the presets I brought with me. I also got tired of trying to duplicate something from my normal setup, within the short time we had for soundcheck. Therefore I started to have smaller programmable boards with me every time I played outside Scandinavia.
My setup 2013 – a Mesa Boogie Mark IV combo, and a full packed board
This blogpost is the second in a series of three about pedalboards versus rack-setups
This blogpost details my pro’s concerning pedalboards versus rack-setups. The other day I wrote about the equipment I started out with and why I moved from amps and a pedalboard to a rack-setup.
The rack setup I ended up using for years live and on tv – and still often use in the studio, was built around a Mesa Boogie preamp, Mesa Boogie poweramp and a TC2290.
At first I used the Quad preamp, but after a year or so Boogie introduced the Triaxis preamp – a programmable tube preamp with 99 presets – it was made for my kind of work.
For years I had rack-comp’s, noise suppressors, phasers and other fun stuff in the loops of the 2290. I also had a Lexicon reverb, 2 TC M5000 reverbs and an Intellefex chorus, delay and reverb unit – all hooked up as auxillary fx’s in a programmable Akai line mixer.
This blogpost is the first in a series of three about pedalboards versus rack-setups
At the moment I normally use a single amp and a rather fully fullpacked pedalboard, when I’m playing live. My rack stuff is mostly used in the studio. This blogpost is about my thoughts thru these changes and my pro’s and con’s concerning pedalboards versus rack-setups.
When I started playing in a band I had an electric guitar and borrowed my big brothers amp and a fuzz-face type overdrive from him – this worked fine for a long time.
When I started playing in a band a borrowed my big brothers Gayatone Sustainer
When I started to become a little more serious about my music and gear, I bought my own amp and started flirting with pedals. But still I had a very simple setup compared to the 20 unit stereo rig I later on used for years while I did tv-shows and sessions as a hired gun.