I’ve been addicted to delay machines since the 80’s – now I’ve just become addicted to the new Empress Tape Delay Pedal.
I got my first delay fix from a Boss pedal in the late 70’s – the same time the Chorus CE-1 entered the market. Shortly after realizing I had a delay-addiction, I started looking for more serious alternatives to the noisy Boss and bought my first rack unit.
Since then I’ve been through a lot of different units. The TC 2290 has been a favorite and the brain/center in my rack-setup for years. A few years ago, when I decided to go for a pedalboard solution instead of the rack. I searched the market for a while and ended up buying the the Empress Vintage Modified Superdelay, which in my opinion, is the best delay pedal around. It sounds awesome, has tons of configurations, and even the ability to save up to eight presets.
Empress Tape Delay together with the Empress Compressor and the Radial Tonebone placed in my new board – 2014
This blogpost is the first in a series of three about pedalboards versus rack-setups
At the moment I normally use a single amp and a rather fully fullpacked pedalboard, when I’m playing live. My rack stuff is mostly used in the studio. This blogpost is about my thoughts thru these changes and my pro’s and con’s concerning pedalboards versus rack-setups.
When I started playing in a band I had an electric guitar and borrowed my big brothers amp and a fuzz-face type overdrive from him – this worked fine for a long time.
When I started playing in a band a borrowed my big brothers Gayatone Sustainer
When I started to become a little more serious about my music and gear, I bought my own amp and started flirting with pedals. But still I had a very simple setup compared to the 20 unit stereo rig I later on used for years while I did tv-shows and sessions as a hired gun.