Tag Archives: Gibson

Soren Reiff performing with his brother Jesper Reiff

Music as a profession – my history

Some time ago I wrote a post about how I didn’t choose to have music as a profession – I just couldn’t imaging a life without playing guitar every day … all day – so today we are looking down the history lane.

My first guitar

I started playing guitar when I was around 4 years old. My big brother bought an electric guitar and I got so jealous that my parents bought me a small acoustic as well. I guess they thought I would keep interest for a week or two and then return to my normal routines, but no …

My brother, who was ten years older than me, showed me new chords or a scale every once in a while, but I didn’t had “real” lessons on a regular basics. I had fun with the guitar, but I also did a lot of other typical child stuff.

When I was around ten years old my brother took me to an Eric Clapton concert and I was blown away. When we left the concert hall, I told my brother that I would play like Clapton one day. He smiled and told me that if I wanted to do that, I should practice and practice a lot. l remember how I said to myself: “hell yeah, then I’m going to practice a lot”, but I just looked at my bro and said “ok”.

Jesper Reiff playing livewith Soren Reiff (10 years old) @ Smogen, Holbæk - with no thoughts of having music as a profession

Jesper Reiff playing live with Soren Reiff (10 years old) @ Smogen, Holbæk – playing for the fun of it – with no thoughts of having music as a profession

After that experience my interest for music intensified. I bought my first electric guitar when I was ten years old and started practicing a bit more seriously. Continue reading

The new pickups in my red Gibson ES-346

Earlier on in this blog I have written about my red and my brown Gibson ES-346. I covered details about the individual models and their materials, plus how I acquired the two guitars. This post is about the new pickups and electronics I have installed in the red one and why I chose as I did.

Even though the ES-346’s were really nice when I got them, I missed the thin distinct single coil sound you can get from a Strat-type guitar. In addition to this, I started to get a little irritated with the sound of the stock pickups. The neck pickup had a boost in the upper midrange and the bridge pickup was a little too bright for my taste. I could remove the midrange boost in the mix when doing sessions, but live it really started to annoy me.

One of my new pickups is a Seymour Duncan Jazz SH-2 in the neck position

Soren Reiff got a Seymour Duncan Jazz SH-2 in the neck position

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Soren Reiff & Ricahrd Smith - copyright@Henrik Delfer

Short scale kind of guy

I have already written quite a bit about my two Gibson ES-346’s. You know all the nerdy stuff about the model and how I got them … this is a post about why I’m into that type of guitars … or more precisely short scale guitars. 

My first “real” guitar was a Gibson Les Paul deluxe. For several years I played that guitar from early morning til late, late night. I must admit that I also had an eye for the Fender stratocaster after I’ve seen Eric Clapton live, but since I really digged Albert, B.B. and Freddie King I stayed true to the Gibson-team.

Soren Reiff & Ricahrd Smith - copyright@Henrik Delfer

Soren Reiff & Ricahrd Smith – copyright@Henrik Delfer

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My honey brown Gibson ES-346

Some weeks ago I wrote how I got my red ES-346 and after last weeks concerts I got a lot of questions about my honey brown Gibson ES-346 – so I guess it’s appropriate to write something about that one too, so here’s the story. 

When I wasn’t playing my new red ES-346 either in the studio or in the couch, I sat and surfed the net to find more info about the model – you know a typical male thing to do after the product is bougth 🙂

Only a few weeks after I bought the red one I found another one for sale! Ok, the model designation in the add was not ES-346, and the materials was not like the ones I wrote about when I told you about my red one, but the photo was of a honey brown Gibson ES-346!

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My red “roadworn” Gibson ES-346

A couple of years ago, keyboard player David Garfield introduced me to guitarist Paul Jackson jr. and thereby his Gibson ES-346 that he brought along with him for the gig. At the time the ES-346 was Paul Jackson jr.’s signature model. The guitar sounded fantastic and was super versatile. It had a full and massive tone like a Les Paul, with lots of sustain, and at the same time a warm and jazzy tone when it was needed. I was impressed and maybe a little in love.

Soren Reiff, Paul Jackson jr. & Forrest Robinson

Soren Reiff, Paul Jackson jr. & Forrest Robinson

After the gig I did some research and found that the model had been discontinued. I browsed the internet from time to time to see if I could find a used one, but without success.

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