Tag Archives: making an album

Welcome to my blog!

Soren Reiff - Shades

I’m Soren Reiff, a pro guitar player, composer, producer, author who want to share experiences about working in the music business. I hope you will like, share and write comments to my blogposts below this.

You might also want to visit  and hopefully subscribe to my YouTube channels. You’ll find my international channel here and my Danish channel here.

Enjoy – Soren

Kim S. Hansen on Soren Reiff Gratitude album

Killer keyboard parts by Kim S. Hansen

I have written about Gary Novak and Jimmy Haslip and how they contributed to the Gratitude album. Today I’ll introduce you to the very talented keyboard player Kim S. Hansen – I’m feel very privileged to have him playing on my album.

Killer keyboard parts by Kim S. Hansen on the Gratitude album

Kim is actually Danish-born but has lived in L.A. since the nineties. He is Musical Director for Patti Austin and has played with Phil Perry, Paul Jackson jr. and many more. (While we did the recordings for the Gratitude album), Kim had to take some weeks off from my sessions to go to South Africa and tour with guitar ace Earl Klugh … cool).

Keyboard player Kim S. Hansen is also playing on the new Soren Reiff album Gratitude

Kim S. Hansen live with Earl Klugh

Back in the nineties Kim and I played together every once I a while, and we did a lot of the same types of gigs and sessions: Playing in different house bands and so on. After many years in that line of work, we both wanted to do something different. Continue reading

Gary Novak and Jimmy Haslip recording for the Gratitude album with Soren Reiff

Awesome drums by Gary Novak

Like I mentioned the other day – I have written about my workflow and how I arrange a song. Today, we’ll stay on the track of the real deal – recording drums. I’ll introduce you to world class drummer Gary Novak – the nicest hang with a killer pocket.

I feel extremely blessed because I’ve had the pleasure to play with some of the best drummers in the world: Steve Ferrone, Gregg Bissonette, Chad Wackerman, the late Ricky Lawson and more – yes I’m spoiled – and I’m so happy and proud to be able to add Gary Novak to that list!

Gary Novak and Jimmy Haslip recording for the Gratitude album with Soren Reiff

Engineer Stig Kaufmanas, Soren Reiff, Gary Novak and Jimmy Haslip in the studio

Groovy drums by Gary Novak on the Gratitude album

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Soren Reiff - album release - Gratitude

Releasing an album

Releasing an album

Yesterday my third album – Gratitude – was released. I’m happy, excited, proud, nervous. I have tons of feelings and thoughts running thru me and I can’t sit still for more than a few minutes, before I have to do something to distract my thoughts – I guess you can imagine how it is.

I’ve been working on this album for several years on and off. Actually did I write some of the tracks many years ago, while some of the tunes are totally new, also to me … at least kind of new, after working with them for some time.

When I make an album a lot of things go around in circles.

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Kim S. Hansen’s keys on Let’s Play

Now it’s time for keyboards … today I’ll let you have a sneak preview of Kim S. Hansen’s keys on Let’s Play from my Gratitude album. When I started to work on this song the working title was Saturday Brunch, so don’t get confused 🙂

I introduced Kim earlier on this blog – we have know each other for more than twenty years now. But since he moved to L.A: and I didn’t, we haven’t seen each other that much. Maybe we have had a beer or barbecue when I’ve been in L.A. but that’s unfortunately not that often.  And Kim and I haven’t been playing together for ages, even thou I definitely miss that.

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Soren Reiff and Michito Sanchez hanging in L.A.

Michito Sanchez and his percussion for Let’s Play

If you have read my former posts concerning the development of my tracks, you know I’m going to write about Michito Sanchez and his percussion for Let’s Play today. If you haven’t read my former posts concerning this tune, I’ll suggest you listen to the samples I placed in those post before you continue … I think it’ll make this post much more interesting … but on the other hand … go ahead, read and listen – you can always return to the others posts later. And don’t get confused about the title – when I started the working title for the track was Saturday Brunch … sorry about that 🙂

Soren Reiff together with Michito Sanchez

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Adding real drums and bass

Today I’ll write a little about the next stage in the development of Saturday Brunch. Today you’ll hear what happened when Gary Novak and Jimmy Haslip added their golden touch to my song, by adding real drums and bass, instead of my scratch programming.

I introduced Jimmy Haslip and Gary Novak earlier on this blog. If you haven’t read that post, I can easily sum it up: They are outstanding musicians who have played with almost every artist imaginable within the modern and groovy jazz world. I guess no matter what track you find them on, you won’t be disappointed with their playing.

I’ve also described my workflow around my demo’s and how I prepare my demo’s for the real sessions in an earlier post, so I won’t waste time with that here. Let’s move straight to the cut of this track.

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Soren Reiff's right hand

Programming a demo track

When I returned to the hastily recorded idea of “Saturday Brunch”, a couple of days later, I still liked the chord progression and the theme – so I started arranging the music and programming a demo track of the song.

In a situation like this, 9 out of 10 times I’ll start with the drums. I have a few kits that I always aim for when making neutral sounding demo’s. By “neutral”, I mean that it’s going to sound like a standard drum kit, not too fancy, not too artificial and not dictating a certain style … kind of open for “everything”.

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From idea to recorded demo

Ok, today I’m going to post the first samples from the making of my next album – samples showing how a tune develops from idea to recorded demo. After this, I’ll write more about how the demo develops and what I do before the track is ready for real musicians. This is the first post of a series about the development from the very first demo until the final song is there, and later on I’ll also write about other songs.

Saturday Brunch

The working title of this song is “Saturday Brunch”, guess why … Yes, it was on a Saturday and I had been eating brunch with my family – actually we were still eating, when one of the kids spilled milk on her clothes and the other one needed a dry diaper. My sweet wife said she would take care of it, and that I should enjoy one more cup of coffee – nice. While my wife and kids went upstairs, I sat and enjoyed the morning atmosphere. I picked up my guitar from a chair nearby and started jamming. Shortly after, I had a little groove going on. Two bluesy chords with a tail, some imaginary drums and bass, and I started humming an idea for a theme. I kind of liked this groovy little vamp, but couldn’t find my phone to record the idea like I normally do.

Normally I record my ideas for a son into my phone.
BTW: this is a sreen dump from my phone, so you’re not supposed to play anything by pressing the play button.

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My Gibson ES-346 in the studio

My studio workflow

The other day I wrote about how an idea develops into a song, and my approach to arranging the music. Today I’ll write about how I prepare a song for recording and my studio workflow around the recording sessions.

My Gibson ES-346 in the studio

My Gibson ES-346 in the studio

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