Tag Archives: Michito Sanchez

Soren Reiff and Michito Sanchez hanging in L.A.

Powerfull percussion by Michito Sanchez

From time to time, I have had the pleasure of playing with Michito Sanchez in different constellations with David Garfield. No matter what repertoire we played, no matter what style, Michito has always lifted the music to another level.

Powerfull percussion by Michito Sanchez on the Gratitude album

Michito is unique – always coming up with tons of great ideas in the studio and always meeting you with a big smile and very positive attitude.

Soren Reiff and Michito Sanchez hanging in L.A.

Soren Reiff and Michito Sanchez hanging in L.A.

I was so lucky to have Michito playing on my second album “Miss you” – actually that was the very first time I worked with him in the studio. Since then I’ve use Michito on soundtracks for TV or commercials. He has a killer pocket and he always has tons of percussion lined up. You are sure to get, not only a tight and groovy shaker, but also the exact type of shaker you need for the specific track. Michito has added so much gold to my music, no matter what style and what weird wishes I had for parts.
Beside his “basic” tracks – for instance congas, shaker or tambourine, I always get him to record a “toy track”. Continue reading

Soren Reiff - album release - Gratitude

Releasing an album

Releasing an album

Yesterday my third album – Gratitude – was released. I’m happy, excited, proud, nervous. I have tons of feelings and thoughts running thru me and I can’t sit still for more than a few minutes, before I have to do something to distract my thoughts – I guess you can imagine how it is.

I’ve been working on this album for several years on and off. Actually did I write some of the tracks many years ago, while some of the tunes are totally new, also to me … at least kind of new, after working with them for some time.

When I make an album a lot of things go around in circles.

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Kim S. Hansen’s keys on Let’s Play

Now it’s time for keyboards … today I’ll let you have a sneak preview of Kim S. Hansen’s keys on Let’s Play from my Gratitude album. When I started to work on this song the working title was Saturday Brunch, so don’t get confused 🙂

I introduced Kim earlier on this blog – we have know each other for more than twenty years now. But since he moved to L.A: and I didn’t, we haven’t seen each other that much. Maybe we have had a beer or barbecue when I’ve been in L.A. but that’s unfortunately not that often.  And Kim and I haven’t been playing together for ages, even thou I definitely miss that.

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Soren Reiff and Michito Sanchez hanging in L.A.

Michito Sanchez and his percussion for Let’s Play

If you have read my former posts concerning the development of my tracks, you know I’m going to write about Michito Sanchez and his percussion for Let’s Play today. If you haven’t read my former posts concerning this tune, I’ll suggest you listen to the samples I placed in those post before you continue … I think it’ll make this post much more interesting … but on the other hand … go ahead, read and listen – you can always return to the others posts later. And don’t get confused about the title – when I started the working title for the track was Saturday Brunch … sorry about that 🙂

Soren Reiff together with Michito Sanchez

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Adding real drums and bass

Today I’ll write a little about the next stage in the development of Saturday Brunch. Today you’ll hear what happened when Gary Novak and Jimmy Haslip added their golden touch to my song, by adding real drums and bass, instead of my scratch programming.

I introduced Jimmy Haslip and Gary Novak earlier on this blog. If you haven’t read that post, I can easily sum it up: They are outstanding musicians who have played with almost every artist imaginable within the modern and groovy jazz world. I guess no matter what track you find them on, you won’t be disappointed with their playing.

I’ve also described my workflow around my demo’s and how I prepare my demo’s for the real sessions in an earlier post, so I won’t waste time with that here. Let’s move straight to the cut of this track.

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