Tag Archives: Miss you

Soren Reiff and Michito Sanchez hanging in L.A.

Powerfull percussion by Michito Sanchez

From time to time, I have had the pleasure of playing with Michito Sanchez in different constellations with David Garfield. No matter what repertoire we played, no matter what style, Michito has always lifted the music to another level.

Powerfull percussion by Michito Sanchez on the Gratitude album

Michito is unique – always coming up with tons of great ideas in the studio and always meeting you with a big smile and very positive attitude.

Soren Reiff and Michito Sanchez hanging in L.A.

Soren Reiff and Michito Sanchez hanging in L.A.

I was so lucky to have Michito playing on my second album “Miss you” – actually that was the very first time I worked with him in the studio. Since then I’ve use Michito on soundtracks for TV or commercials. He has a killer pocket and he always has tons of percussion lined up. You are sure to get, not only a tight and groovy shaker, but also the exact type of shaker you need for the specific track. Michito has added so much gold to my music, no matter what style and what weird wishes I had for parts.
Beside his “basic” tracks – for instance congas, shaker or tambourine, I always get him to record a “toy track”. Continue reading

Soren Reiff and Michito Sanchez hanging in L.A.

Michito Sanchez and his percussion for Let’s Play

If you have read my former posts concerning the development of my tracks, you know I’m going to write about Michito Sanchez and his percussion for Let’s Play today. If you haven’t read my former posts concerning this tune, I’ll suggest you listen to the samples I placed in those post before you continue … I think it’ll make this post much more interesting … but on the other hand … go ahead, read and listen – you can always return to the others posts later. And don’t get confused about the title – when I started the working title for the track was Saturday Brunch … sorry about that 🙂

Soren Reiff together with Michito Sanchez

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My red “roadworn” Gibson ES-346

A couple of years ago, keyboard player David Garfield introduced me to guitarist Paul Jackson jr. and thereby his Gibson ES-346 that he brought along with him for the gig. At the time the ES-346 was Paul Jackson jr.’s signature model. The guitar sounded fantastic and was super versatile. It had a full and massive tone like a Les Paul, with lots of sustain, and at the same time a warm and jazzy tone when it was needed. I was impressed and maybe a little in love.

Soren Reiff, Paul Jackson jr. & Forrest Robinson

Soren Reiff, Paul Jackson jr. & Forrest Robinson

After the gig I did some research and found that the model had been discontinued. I browsed the internet from time to time to see if I could find a used one, but without success.

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Will Lee in the studio with the scores to Down at the cafe by Soren Reiff

Arranging the music

If I’ve been returning to an idea for a song and been able to see some potential, and still like the overall feel of the tune, I start to think more seriously about the arranging the music.

Arranging the music

At this point I normally have all the fundamental parts of the song; verse, bridge and chorus … So, it’s time to consider the overall flow of the track – how it builds up and develops.

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