Reading the specs tells me it has everything I need. Having several other Strymon products, that I really like, almost made me buy the pedal without playing it. Fortunately I decided go check it out and I’m glad I did.
I saw every video available with the Strymon Riverside Multistage Drive, before I went to pick it up. The style/sound is a great alternative to the two other overdrives I have in my board (an Euphoria and the Plexi Drive Deluxe from Wampler), so I was really turned on.
It’s a really well made pedal. Some super cool features. Actually it has everything I’m looking for. There is room in my board for it. I have the bread and yet I didn’t buy … that’s scary!
Here’s why and please share your thoughts on this, maybe I’ve missed something.
Here’s another “review”. Today I’ll write about the Radial Tonebone Trimode tube distortion. Again this is more about my personal experiences – why and how I use it –than a test with a lot of technically data and information.
Thru the years I’ve tried tons of overdrive pedals – some of them have done a good job – at least in combination with certain amps. But for me it’s essential that they work well with every amp. When I wrote about my move back in the days, from amp and pedalboard to a rack-setup I explained about the benefits I got from that. Thru the years I’ve dreamt about a setup that was easier to travel with than my rack, and at the same time a setup that is able to give me my overdriven tube sounds I can get from my rack setup.
Soren Reiff’s Radial Tonebone Trimode
How did I meet the Radial Tonebone Trimode tube distortion ?
This blogpost is the third in a series of three about pedalboards versus rack-setups
In the first post in this series I wrote about the equipment I started out with and in the second post I told you about all the advantages I had from my rack-setup – today I’ll write about what I’m using at the moment and why I chosen as I’ve done.
Actually there wasn’t that many reasons for considering other solutions than my small rack-setup … but there was a few.
One was that I started to play more abroad. Often it was impossible to get the same setup I had back home – meaning that even if I brought my presets with me on a memory-card, it wouldn’t work. And in addition to that, it was very expensive to rent something like my normal rig – and really a waste of money, when I wasn’t able to use the presets I brought with me. I also got tired of trying to duplicate something from my normal setup, within the short time we had for soundcheck. Therefore I started to have smaller programmable boards with me every time I played outside Scandinavia.
My setup 2013 – a Mesa Boogie Mark IV combo, and a full packed board
This blogpost is the second in a series of three about pedalboards versus rack-setups
This blogpost details my pro’s concerning pedalboards versus rack-setups. The other day I wrote about the equipment I started out with and why I moved from amps and a pedalboard to a rack-setup.
The rack setup I ended up using for years live and on tv – and still often use in the studio, was built around a Mesa Boogie preamp, Mesa Boogie poweramp and a TC2290.
At first I used the Quad preamp, but after a year or so Boogie introduced the Triaxis preamp – a programmable tube preamp with 99 presets – it was made for my kind of work.
For years I had rack-comp’s, noise suppressors, phasers and other fun stuff in the loops of the 2290. I also had a Lexicon reverb, 2 TC M5000 reverbs and an Intellefex chorus, delay and reverb unit – all hooked up as auxillary fx’s in a programmable Akai line mixer.
This blogpost is the first in a series of three about pedalboards versus rack-setups
At the moment I normally use a single amp and a rather fully fullpacked pedalboard, when I’m playing live. My rack stuff is mostly used in the studio. This blogpost is about my thoughts thru these changes and my pro’s and con’s concerning pedalboards versus rack-setups.
When I started playing in a band I had an electric guitar and borrowed my big brothers amp and a fuzz-face type overdrive from him – this worked fine for a long time.
When I started playing in a band a borrowed my big brothers Gayatone Sustainer
When I started to become a little more serious about my music and gear, I bought my own amp and started flirting with pedals. But still I had a very simple setup compared to the 20 unit stereo rig I later on used for years while I did tv-shows and sessions as a hired gun.
Yesterday I did a workshop/clinic on guitar effects in general and I talked about my pedalboard. I often get many questions about my setup, therefore I’ll post a couple of pictures of my current board below, and give a couple of tips concerning how to set up your pedalboard.
Since I don’t have any sponsor deals with any company/brand mentioned here – neither manufacturers or stores are allowed to use my name to promote any product, without prior written consent from me. But you are very welcome to link to this blog or to my site www.sorenreiff.com if you want other people to read about my setup.