Some time ago I wrote about how I got my old Valley Arts guitar back. As I wrote in that post it was a little weird at first to play that guitar again, but after a few hours, it felt so natural. I couldn’t believe it was ten years since I played that guitar the last time. Today I’ll write about a modification I’ve done to all my guitars with Floyd Rose systems and why I have this tremsetter in my guitars.
One thing that showed me how many hours I have spend with my Valley Arts Guitar back in the nineties, was when I changed the strings after the re-arrival. I took off the old ones, added some new and started tuning up. Without a reference note or tuner in sight I just turned the tuners till it felt right. When I subsequently plugged the guitar into my rig and turned on the tuner, it was in tune – A440 spot on. After ten years it just felt right and was right – nice.
When I had played my old Valley for some hours and decided that I wanted to buy the guitar back, I also decided that I would re-install the tremsetter that I had in the guitar back then. Continue reading →
I’ve written about my red and brown Gibson ES-346, and I’ve written about one of my my old Valley Arts guitars, so it’s only appropriate to write about my old custom built Washburn Strat, that has been my main guitar for more than a decade!
I’ve used this guitar on tons of sessions, and on every TV-show I’ve done for more than ten years. But even though I can be quite nerdy about guitars, there are several things I don’t know about this one – for instance the model designation.
I have already written quite a bit about my two Gibson ES-346’s. You know all the nerdy stuff about the model and how I got them … this is a post about why I’m into that type of guitars … or more precisely short scale guitars.
My first “real” guitar was a Gibson Les Paul deluxe. For several years I played that guitar from early morning til late, late night. I must admit that I also had an eye for the Fender stratocaster after I’ve seen Eric Clapton live, but since I really digged Albert, B.B. and Freddie King I stayed true to the Gibson-team.
Soren Reiff & Ricahrd Smith – copyright@Henrik Delfer
This is a story about an unusual reunion. If we are friends on Facebook, you might already have read a few lines about this a couple of weeks ago, but here follows a more detailed account.
It all started when I got an email with an interesting offer: A former “girlfriend” would like to come and live with me again. I was a little anxious about how my wife would react to this. But when she heard about this old relationship, she said “go for it”. There’s a really good reason for this – because when I mention ”a former girlfriend”, I’m talking about a Valley Arts Guitar from the early nineties 🙂 Another reason might also be the fact that I don’t keep my guitars at home, so she doesn’t care that much about how many guitars I have 🙂
Over the years I have sold a few guitars. Luckily enough, I have only regretted a very few of my sales. One of the few sales I’ve regretted was the two Valley Arts Guitars I had during the nineties.