Kim S. Hansen’s keys on Let’s Play

Now it’s time for keyboards … today I’ll let you have a sneak preview of Kim S. Hansen’s keys on Let’s Play from my Gratitude album. When I started to work on this song the working title was Saturday Brunch, so don’t get confused ūüôā

I introduced Kim earlier on this blog – we have know each other for more than twenty years now. But since he moved to L.A: and I didn’t, we haven’t seen each other that much. Maybe we have had a beer or barbecue when I’ve been in L.A. but that’s unfortunately not that often. ¬†And Kim and I haven’t been playing together for ages, even thou I¬†definitely¬†miss that.

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Michito Sanchez and his percussion for Let’s Play

If you have read my former posts concerning the development of my tracks, you know I’m going to write about Michito Sanchez and his percussion for Let’s Play today. If you haven’t read my former posts concerning this tune, I’ll suggest you listen to the samples I placed in those post before you continue … I think it’ll make this post much more interesting … but on the other hand … go ahead, read and listen – you can always return to the others posts later. And don’t get confused about the title – when I started the working title for the track was Saturday Brunch … sorry about that ūüôā

Soren Reiff together with Michito Sanchez
Soren Reiff and Michito Sanchez hanging in L.A.
Soren Reiff and Michito Sanchez hanging in L.A.

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Adding real drums and bass

Today I’ll write a little about the next stage in the development of Saturday Brunch. Today you’ll hear what happened when¬†Gary Novak and¬†Jimmy Haslip added their golden touch to my song, by adding real drums and bass, instead of my scratch programming.

I introduced Jimmy Haslip and Gary Novak earlier on this blog. If you haven’t read that post, I can easily sum it up: They are outstanding musicians who have played with almost every artist imaginable within the modern and groovy jazz world. I guess no matter what track you find them on, you won’t be disappointed with their playing.

I’ve also described my workflow around my demo’s and how I prepare my demo’s for the real sessions in an earlier post, so I won’t waste time with that here. Let’s move straight to the cut of this track.

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Programming a demo track

When I returned to the hastily recorded idea of “Saturday Brunch”,¬†a couple of days later,¬†I still liked the chord progression and the theme – so I started arranging the music and programming a demo track of the song.

In a situation like this, 9 out of 10 times I’ll start with the drums. I have a few kits that I always aim for when making neutral sounding demo’s. By “neutral”, I mean that it’s going to sound like a standard drum kit, not too fancy, not too artificial and not dictating a certain style … kind of open for “everything”.

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From idea to recorded demo

Ok, today I’m going to post the first samples from the making of my next album – samples showing how a tune develops from idea to recorded demo. After this, I’ll write more about how the demo develops and what I do before the track is ready for real musicians. This is¬†the first post of a series about the development from the very first demo until the final song is there, and later on I’ll also write about other songs.

Saturday Brunch

The working title of this song is “Saturday Brunch”, guess why …¬†Yes, it was on a Saturday and I had been eating brunch with my family – actually we were still eating, when one of the kids spilled milk on her clothes and the other one needed a dry¬†diaper. My sweet wife said she would take care of it, and that I should enjoy one more cup of coffee – nice. While my wife and kids went upstairs, I sat and enjoyed the morning atmosphere. I picked up my guitar from a chair nearby and started jamming. Shortly after, I had a little groove going on. Two bluesy chords with a tail, some¬†imaginary drums and bass, and I started humming an idea for a theme. I kind of liked this groovy little vamp, but couldn’t find my phone to record the idea like I normally do.

Normally I record my ideas for a son into my phone.
BTW: this is a sreen dump from my phone, so you’re not supposed to play anything by pressing the play button.

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Arranging the music

If I’ve been returning to an idea for a song and been able to see some potential, and still like the overall feel of the tune, I start to think more seriously about the arranging the music.

Arranging the music

At this point I normally have all the fundamental parts of the song; verse, bridge and chorus ‚Ķ So, it’s time to consider the overall flow of the track – how it builds up and develops.

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Composing music

I go through several different phases when I’m writing music before an idea for a song might end up as a recorded and maybe even released song. Here I’ve written about¬†how I work when I’m composing music. Later on I’ll write about my workflow when I’m arranging music and preparing the song for recording.

The first idea for a song

I get almost all my ideas for my songs when I sit and jam by myself in a time gap between more important stuff – suddenly there’s a small phrase that catches my attention or maybe an interesting chord progression that inspires me for a theme or other chord progressions.

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