Here’s the story about how I was writing music without being aware of it – unfortunately I think it happens often for a lot of people who writes music. As a little “bonus” you can read why the title “Funky Mama” is appropriate for this specific song I’ll use for this story. It’s always tricky to find titles for instrumental tunes 🙂
Writing music – writing Funky Mama
I was visiting my parents, staying at their house for the weekend. As I’ve written earlier I always bring my guitar for holidays. When I arrived we had some nice food, some good wine and talked a lot. The day after we all sat in the living room, doing whatever we liked to relax. Mom was reading a book in her favorite chair, dad was looking thru some art books. I was just jamming around on my guitar.
After a while I decided to make some coffee. Dad was still reading and mom was doing their laundries. While I was in the kitchen I heard her whistle a catchy phrase. I thought I knew it from somewhere but couldn’t decide from where. After a while it started to annoy me that I couldn’t name or categorise her tune. I went to her and asked – “what’s that you’re whistling … it sounds familiar?”. My mom laughed and told me that it was what I have been playing in the living room a little earlier.
Back in the living room I picked up my guitar. Within seconds I realised that she was right – it was the “theme” I’ve been jamming around for some time. I decided to record a memo in my phone. Good decision. Just a few weeks later the tune was added to my bands setlist.
Writing music without being aware of it
I had been writing music and composed a complete song without being aware of it. It would have been forgotten, if my mom hadn’t started to whistle the theme. After this experience I record almost everything I jam over for more than a few minuttes. Therefore I’ll suggest that you also remember to record whatever you’re jamming around with. You’ll never know when something interesting is showing up.
And a little fun fact: neither my mom or I was aware of the odd meter within the song. There’s a 5/4 bar in the middle of the A-part. I realised that when I introduced the tune to the band, and the drummer had to hear it twice to figure out what was going on 🙂
Later on I have even recorded the song on my second album. I also ended up jamming the tune on the American TV-show Studio Jams – you can see that part from the episode here. All this just because my mama caught the riff and started to whistle while she walking around fixing some things.
It’s more than 10 years ago since I played with David Garfield for the first time – and I still remember clearly how it felt like “home” when he started playing the intro to the very first tune we played together.
This is the story about how I met David Garfield and Henrik Enqvist
Garfield and I were hired by the Danish drummer Henrik Engqvist for a tour playing a mix of Engqvist’s repetoire and Garfield’s songs. I hadn’t met neither Henrik nor David before and I felt very honored to be asked to play this tour since Henrik had used Robben Ford and Frank Gambale for earlier tours with his band. And to play with David Garfield, who had the bands Los Lobotomys, Karizma and worked as M.D. for George Benson and Natalie Cole, would be awesome. Henrik knew Garfield from L.A. where they had met a couple of years earlier. Henrik often is in L.A. to work with a lot of A-listers over there.
The first time we all met was around noon to rehearse for the first show the same night. Henrik had just picked David up at the airport. David handled out his music sheets, sat down at the piano and started to play the song “Donna”. I instantly felt like I’ve known David and that song for years. The way David voiced the chords and his groove made me feel so good – I felt like returning back home after a long trip abroad.
That tour ended up being very important to me – I got so inspired from the shows we did. I had so much fun since I was allowed to stretch out during a lot of long solos, and we never played a song the same way twice. David really knows how to inspire.
During the final concert we played on that tour, I felt so sad about “this was it”. I knew I had to do something about it. So it was actually that night I decided to make an album with my own music. That let me to do the “Funky Flavas” album – and after that the “Miss You” and “Gratitude” album.
Since we met for the first time I have had the pleasure to play with Henrik again several times. We did an episode of “Studiojams” together in Copenhagen some years ago and I’ve also played together with Henrik and Jimmy Haslip, Jeff Richman and Russell Ferrante, when they have been in Scandinavia – always a pleasure and great fun! And I’ve played with Garfield in many different constellations both live and in the studio – always fantastic and very very inspiring.
So – thank you Henrik for asking me back then, I’m very thankful for that!! Henrik has recently released a new album “Engqvisition”- check it out here! And thank you David for your friendship and for always being so inspiring – it’s a blast knowing you and playing with you.
A couple of weeks ago I did some clinics and concerts together with guitar ace Richard Smith. We had some great days together and I definitely hope we’ll hook up again soon to do more of what we just did. Here’s a little something about those days.
Meeting Richard Smith
I’ve never met Richard before I picked him up at the airport a few hours before our first clinic the very same day. We had been skyping briefly once the week before, but beside that we have only been in contact by the internet. Kind of interesting starting point when you are supposed to do concerts and clinics without time to rehearse together.