I’ve been addicted to delay machines since the 80’s – now I’ve just become addicted to the new Empress Tape Delay Pedal.
I got my first delay fix from a Boss pedal in the late 70’s – the same time the Chorus CE-1 entered the market. Shortly after realizing I had a delay-addiction, I started looking for more serious alternatives to the noisy Boss and bought my first rack unit.
Since then I’ve been through a lot of different units. The TC 2290 has been a favorite and the brain/center in my rack-setup for years. A few years ago, when I decided to go for a pedalboard solution instead of the rack. I searched the market for a while and ended up buying the the Empress Vintage Modified Superdelay, which in my opinion, is the best delay pedal around. It sounds awesome, has tons of configurations, and even the ability to save up to eight presets.
I’ve been using TC Electronics products for more than 25 years I guess. The first TC Electronic pedal I bought was the phaser, and after that I’ve had several of their products. For years especially the 2290 has been an important part of my setup, so when I heard about the TC Electronic Flashback delay, I thought it would be a natural part of my board.
Facts about the TC Electronic Flashback delay
The TC Electronic Flashback delay offers you 11 different delay types. In addition to the “normal” different delay types, you get the TonePrint function. TonePrint gives you your favorite guitar players custom presets, in one of the delay modes. This is downloaded to the pedal either by your computer and an usb-cable or by and app for your smartphone. All in all a lot of possibilities in a regular stomp box – super.
The loop function is cool and sounds great – and I have loop time enough for my need (40 seconds).
Does it cover all my needs delay wise?
Overall the pedal sounds great. The different presets sound cool, and it covers about everything you can expect from a delay pedal, at least from a small stomp box.
This blogpost is the third in a series of three about pedalboards versus rack-setups
In the first post in this series I wrote about the equipment I started out with and in the second post I told you about all the advantages I had from my rack-setup – today I’ll write about what I’m using at the moment and why I chosen as I’ve done.
Actually there wasn’t that many reasons for considering other solutions than my small rack-setup … but there was a few.
One was that I started to play more abroad. Often it was impossible to get the same setup I had back home – meaning that even if I brought my presets with me on a memory-card, it wouldn’t work. And in addition to that, it was very expensive to rent something like my normal rig – and really a waste of money, when I wasn’t able to use the presets I brought with me. I also got tired of trying to duplicate something from my normal setup, within the short time we had for soundcheck. Therefore I started to have smaller programmable boards with me every time I played outside Scandinavia.