It’s more than 10 years ago since I played with David Garfield for the first time – and I still remember clearly how it felt like “home” when he started playing the intro to the very first tune we played together.
This is the story about how I met David Garfield and Henrik Enqvist
Garfield and I were hired by the Danish drummer Henrik Engqvist for a tour playing a mix of Engqvist’s repetoire and Garfield’s songs. I hadn’t met neither Henrik nor David before and I felt very honored to be asked to play this tour since Henrik had used Robben Ford and Frank Gambale for earlier tours with his band. And to play with David Garfield, who had the bands Los Lobotomys, Karizma and worked as M.D. for George Benson and Natalie Cole, would be awesome. Henrik knew Garfield from L.A. where they had met a couple of years earlier. Henrik often is in L.A. to work with a lot of A-listers over there.
The first time we all met was around noon to rehearse for the first show the same night. Henrik had just picked David up at the airport. David handled out his music sheets, sat down at the piano and started to play the song “Donna”. I instantly felt like I’ve known David and that song for years. The way David voiced the chords and his groove made me feel so good – I felt like returning back home after a long trip abroad.
That tour ended up being very important to me – I got so inspired from the shows we did. I had so much fun since I was allowed to stretch out during a lot of long solos, and we never played a song the same way twice. David really knows how to inspire.
During the final concert we played on that tour, I felt so sad about “this was it”. I knew I had to do something about it. So it was actually that night I decided to make an album with my own music. That let me to do the “Funky Flavas” album – and after that the “Miss You” and “Gratitude” album.
Since we met for the first time I have had the pleasure to play with Henrik again several times. We did an episode of “Studiojams” together in Copenhagen some years ago and I’ve also played together with Henrik and Jimmy Haslip, Jeff Richman and Russell Ferrante, when they have been in Scandinavia – always a pleasure and great fun! And I’ve played with Garfield in many different constellations both live and in the studio – always fantastic and very very inspiring.
So – thank you Henrik for asking me back then, I’m very thankful for that!! Henrik has recently released a new album “Engqvisition”- check it out here! And thank you David for your friendship and for always being so inspiring – it’s a blast knowing you and playing with you.
Like I mentioned the other day – I have written about my workflow and how I arrange a song. Today, we’ll stay on the track of the real deal – recording drums. I’ll introduce you to world class drummer Gary Novak – the nicest hang with a killer pocket.
Groovy drums by Gary Novak on the Gratitude album
I feel extremely blessed because I’ve had the pleasure to play with some of the best drummers in the world: Steve Ferrone, Gregg Bissonette, Chad Wackerman, the late Ricky Lawson and more – yes I’m spoiled – and I’m so happy and proud to be able to add Gary Novak to that list!
Earlier I’ve written about my workflow when developing an idea into a tune or how I work when I’m arranging a song by making demos. This is about recording bass and about the recording session with the awesome Jimmy Haslip for my Gratitude album.
I have had the pleasure to work with many outstanding bass players – Will Lee, John Peña and Mark King, all unique players. Here I’ll tell you about some of my work with Jimmy Haslip – a living legend.
Yesterday my third album – Gratitude – was released. I’m happy, excited, proud, nervous. I have tons of feelings and thoughts running thru me and I can’t sit still for more than a few minutes, before I have to do something to distract my thoughts – I guess you can imagine how it is.
I’ve been working on this album for several years on and off. Actually did I write some of the tracks many years ago, while some of the tunes are totally new, also to me … at least kind of new, after working with them for some time.
When I make an album a lot of things go around in circles.
Now it’s time for keyboards … today I’ll let you have a sneak preview of Kim S. Hansen’s keys on Let’s Play from my Gratitude album. When I started to work on this song the working title was Saturday Brunch, so don’t get confused 🙂
I introduced Kim earlier on this blog – we have know each other for more than twenty years now. But since he moved to L.A: and I didn’t, we haven’t seen each other that much. Maybe we have had a beer or barbecue when I’ve been in L.A. but that’s unfortunately not that often. And Kim and I haven’t been playing together for ages, even thou I definitely miss that.
If you have read my former posts concerning the development of my tracks, you know I’m going to write about Michito Sanchez and his percussion for Let’s Play today. If you haven’t read my former posts concerning this tune, I’ll suggest you listen to the samples I placed in those post before you continue … I think it’ll make this post much more interesting … but on the other hand … go ahead, read and listen – you can always return to the others posts later. And don’t get confused about the title – when I started the working title for the track was Saturday Brunch … sorry about that 🙂
Today I’ll write a little about the next stage in the development of Saturday Brunch. Today you’ll hear what happened when Gary Novak and Jimmy Haslip added their golden touch to my song, by adding real drums and bass, instead of my scratch programming.
I introduced Jimmy Haslip and Gary Novak earlier on this blog. If you haven’t read that post, I can easily sum it up: They are outstanding musicians who have played with almost every artist imaginable within the modern and groovy jazz world. I guess no matter what track you find them on, you won’t be disappointed with their playing.
Ok, today I’m going to post the first samples from the making of my next album – samples showing how a tune develops from idea to recorded demo. After this, I’ll write more about how the demo develops and what I do before the track is ready for real musicians. This is the first post of a series about the development from the very first demo until the final song is there, and later on I’ll also write about other songs.
The working title of this song is “Saturday Brunch”, guess why … Yes, it was on a Saturday and I had been eating brunch with my family – actually we were still eating, when one of the kids spilled milk on her clothes and the other one needed a dry diaper. My sweet wife said she would take care of it, and that I should enjoy one more cup of coffee – nice. While my wife and kids went upstairs, I sat and enjoyed the morning atmosphere. I picked up my guitar from a chair nearby and started jamming. Shortly after, I had a little groove going on. Two bluesy chords with a tail, some imaginary drums and bass, and I started humming an idea for a theme. I kind of liked this groovy little vamp, but couldn’t find my phone to record the idea like I normally do.