Like I mentioned the other day – I have written about my workflow and how I arrange a song. Today, we’ll stay on the track of the real deal – recording drums. I’ll introduce you to world class drummer Gary Novak – the nicest hang with a killer pocket.
Groovy drums by Gary Novak on the Gratitude album
I feel extremely blessed because I’ve had the pleasure to play with some of the best drummers in the world: Steve Ferrone, Gregg Bissonette, Chad Wackerman, the late Ricky Lawson and more – yes I’m spoiled – and I’m so happy and proud to be able to add Gary Novak to that list!
Earlier I’ve written about my workflow when developing an idea into a tune or how I work when I’m arranging a song by making demos. This is about recording bass and about the recording session with the awesome Jimmy Haslip for my Gratitude album.
I have had the pleasure to work with many outstanding bass players – Will Lee, John Peña and Mark King, all unique players. Here I’ll tell you about some of my work with Jimmy Haslip – a living legend.
The other day I shared a link on my Facebook profile to a track I did for the american tv-show “Studio Jams”. I’ve played in two full episodes of Studio Jams. This is the story about the first international version of the show I did – recorded in Copenhagen, Denmark.
Several years ago I was contacted by TV-producer Tom Emmi – he was planning a trip to Europe and Scandinavia. Tom had heard about me through keyboard player David Garfield, and Tom wanted to invite me to participate in the first international version of the program Studio Jams.
He described the formular. I saw some samples from earlier Studio Jams and I was totally blown away – it’s some really great shows Tom is doing. Basically it’s a documentary about how musicians work and comunicate when they meet and jam without anything planed in advance. The episodes are shot in a recording studio, so you get the original sound from the instruments thru samples from the rehearsals, but also the recorded and mixed version of the final take of the jammed tune.
Today I’ll write a little about the next stage in the development of Saturday Brunch. Today you’ll hear what happened when Gary Novak and Jimmy Haslip added their golden touch to my song, by adding real drums and bass, instead of my scratch programming.
I introduced Jimmy Haslip and Gary Novak earlier on this blog. If you haven’t read that post, I can easily sum it up: They are outstanding musicians who have played with almost every artist imaginable within the modern and groovy jazz world. I guess no matter what track you find them on, you won’t be disappointed with their playing.
Ok, today I’m going to post the first samples from the making of my next album – samples showing how a tune develops from idea to recorded demo. After this, I’ll write more about how the demo develops and what I do before the track is ready for real musicians. This is the first post of a series about the development from the very first demo until the final song is there, and later on I’ll also write about other songs.
The working title of this song is “Saturday Brunch”, guess why … Yes, it was on a Saturday and I had been eating brunch with my family – actually we were still eating, when one of the kids spilled milk on her clothes and the other one needed a dry diaper. My sweet wife said she would take care of it, and that I should enjoy one more cup of coffee – nice. While my wife and kids went upstairs, I sat and enjoyed the morning atmosphere. I picked up my guitar from a chair nearby and started jamming. Shortly after, I had a little groove going on. Two bluesy chords with a tail, some imaginary drums and bass, and I started humming an idea for a theme. I kind of liked this groovy little vamp, but couldn’t find my phone to record the idea like I normally do.