Tag: Soren Reiff

Posted on

My best advice

The other day a student from Berklee College of Music asked me if I could give him an advice. Not just any advice – but my best advice to a young guitar player, who wanted to “live my life” and play the type of jobs I’ve done.

That was a tough one. There’s so many things I can think of depending on what you’re focusing at – I mean should it be concerning networking, education, playing gigs, recording sessions, getting the right guitar or practicing … well “practicing” – that’s a god place to start. So here it is … at least one of them 🙂

Practicing

Everyone who is thinking of being a professionel (musician) knows that you have to practice/study (hard). Personally I was told this the very first time by my brother when I was around ten years old. From that day I started to practice a bit more seriously. Later on I practiced many hours every day.

Sometimes Soren Reiff has been practicing picking technic for hours. Copyright @ Rishi
Often I’ve been practicing picking technic for hours. Copyright @ Rishi

Did it pay off? Yes … my playing improved – and that motivated me to practice even harder.

Did that pay off? Continue reading “My best advice”

Posted on

Music as a profession – my history

Some time ago I wrote a post about how I didn’t choose to have music as a profession – I just couldn’t imaging a life without playing guitar every day … all day – so today we are looking down the history lane.

My first guitar

I started playing guitar when I was around 4 years old. My big brother bought an electric guitar and I got so jealous that my parents bought me a small acoustic as well. I guess they thought I would keep interest for a week or two and then return to my normal routines, but no …

My brother, who was ten years older than me, showed me new chords or a scale every once in a while, but I didn’t had “real” lessons on a regular basics. I had fun with the guitar, but I also did a lot of other typical child stuff.

When I was around ten years old my brother took me to an Eric Clapton concert and I was blown away. When we left the concert hall, I told my brother that I would play like Clapton one day. He smiled and told me that if I wanted to do that, I should practice and practice a lot. l remember how I said to myself: “hell yeah, then I’m going to practice a lot”, but I just looked at my bro and said “ok”.

Jesper Reiff playing livewith Soren Reiff (10 years old) @ Smogen, Holbæk
Jesper Reiff playing livewith Soren Reiff (10 years old) @ Smogen, Holbæk

After that experience my interest for music intensified. I bought my first electric guitar when I was ten years old and started practicing a bit more seriously. Continue reading “Music as a profession – my history”

Posted on

TC Electronic Flashback delay

I’ve been using TC Electronics products for more than 25 years I guess. The first TC Electronic pedal I bought was the phaser, and after that I’ve had several of their products. For years especially the 2290 has been an important part of my setup, so when I heard about the TC Electronic Flashback delay, I thought it would be a natural part of my board.

Facts about the TC Electronic Flashback delay

The TC Electronic Flashback delay offers you 11 different delay types. In addition to the “normal” different delay types, you get the TonePrint function. TonePrint gives you your favorite guitar players custom presets, in one of the delay modes. This is downloaded to the pedal either by your computer and an usb-cable or by and app for your smartphone. All in all a lot of possibilities in a regular stomp box – super.

The loop function is cool and sounds great – and I have loop time enough for my need (40 seconds).

The tc electronic Flashback delay in Soren Reiff's pedalboard
The tc electronic Flashback delay in my pedalboard

Does it cover all my needs delay wise?

Overall the pedal sounds great. The different presets sound cool, and it covers about everything you can expect from a delay pedal, at least from a small stomp box.

Continue reading “TC Electronic Flashback delay”

Posted on

Pedalboards versus rack-setups part 3

This blogpost is the third in a series of three about pedalboards versus rack-setups

In the first post in this series I wrote about the equipment I started out with and in the second post I told you about all the advantages I had from my rack-setup – today I’ll write about what I’m using at the moment and why I chosen as I’ve done.

Actually there wasn’t that many reasons for considering other solutions than my small rack-setup … but there was a few.

One was that I started to play more abroad. Often it was impossible to get the same setup I had back home – meaning that even if I brought my presets with me on a memory-card, it wouldn’t work. And in addition to that, it was very expensive to rent something like my normal rig – and really a waste of money, when I wasn’t able to use the presets I brought with me. I also got tired of trying to duplicate something from my normal setup, within the short time we had for soundcheck. Therefore I started to have smaller programmable boards with me every time I played outside Scandinavia.

Soren Reiff's setup 2013 - a Mesa Boogie Mark IV combo, and a full packed board
My setup 2013 – a Mesa Boogie Mark IV combo, and a full packed board

Continue reading “Pedalboards versus rack-setups part 3”

Posted on

Pedalboards versus rack-setups part 2

This blogpost is the second in a series of three about pedalboards versus rack-setups

This blogpost details my pro’s concerning pedalboards versus rack-setups. The other day I wrote about the equipment I started out with and why I moved from amps and a pedalboard to a rack-setup.

The rack setup I ended up using for years live and on tv – and still often use in the studio, was built around a Mesa Boogie preamp, Mesa Boogie poweramp and a TC2290.

At first I used the Quad preamp, but after a year or so Boogie introduced the Triaxis preamp – a programmable tube preamp with 99 presets – it was made for my kind of work.

For years I had rack-comp’s, noise suppressors, phasers and other fun stuff in the loops of the 2290. I also had a Lexicon reverb, 2 TC M5000 reverbs and an Intellefex chorus, delay and reverb unit – all hooked up as auxillary fx’s in a programmable Akai line mixer.

Continue reading “Pedalboards versus rack-setups part 2”

Posted on

My Washburn Strat

I’ve written about my red and brown Gibson ES-346, and I’ve written about one of my my old Valley Arts guitars, so it’s only appropriate to write about my old custom built Washburn Strat, that has been my main guitar for more than a decade!

I’ve used this guitar on tons of sessions, and on every TV-show I’ve done for more than ten years. But even though I can be quite nerdy about guitars, there are several things I don’t know about this one – for instance the model designation.

Soren Reiff's Washburn Strat
Soren Reiff’s Washburn Strat

Continue reading “My Washburn Strat”

Posted on

The new pickups in my red Gibson ES-346

Earlier on in this blog I have written about my red and my brown Gibson ES-346. I covered details about the individual models and their materials, plus how I acquired the two guitars. This post is about the new pickups and electronics I have installed in the red one and why I chose as I did.

Even though the ES-346’s were really nice when I got them, I missed the thin distinct single coil sound you can get from a Strat-type guitar. In addition to this, I started to get a little irritated with the sound of the stock pickups. The neck pickup had a boost in the upper midrange and the bridge pickup was a little too bright for my taste. I could remove the midrange boost in the mix when doing sessions, but live it really started to annoy me.

Soren Reiff got a Seymour Duncan Jazz SH-2 in the neck position
Soren Reiff got a Seymour Duncan Jazz SH-2 in the neck position

Continue reading “The new pickups in my red Gibson ES-346”

Posted on

My first “Studio Jams”

The other day I shared a link on my Facebook profile to a track I did for the american tv-show “Studio Jams”. I’ve played in two full episodes of Studio Jams. This is the story about the first international version of the show I did – recorded in Copenhagen, Denmark. 

Several years ago I was contacted by TV-producer Tom Emmi – he was planning a trip to Europe and Scandinavia. Tom had heard about me through keyboard player David Garfield, and Tom wanted to invite me to participate in the first international version of the program Studio Jams.

He described the formular. I saw some samples from earlier Studio Jams and I was totally blown away – it’s some really great shows Tom is doing. Basically it’s a documentary about how musicians work and comunicate when they meet and jam without anything planed in advance. The episodes are shot in a recording studio, so you get the original sound from the instruments thru samples from the rehearsals, but also the recorded and mixed version of the final take of the jammed tune.

Soren Reiff in Studiojams #34

Continue reading “My first “Studio Jams””

Posted on

Why did I become a professional guitar player?

After writing about how thankful I am to be a musician, and how privileged I think I am to be able to live from my music, I think it might be logical to write about how this happened, and why I become a professional guitar player. Here’s a little story from the past …

Many years ago a young guitar player called me, and wanted to take private lessons from me – three hours a day, five days a week. The reason for this? He wanted to get all the gigs I had. I told him that it was a tough and intense schedule he asked for, but he was consistent. A couple of months later he showed up with his guitar a monday morning, ready to start. After the first day he was tired, after the second day he was very tired, after the third day he was exhausted … “couldn’t we just do something different the next day, like going to the tv-set where I worked and check out my rig or something?”. The fifth day he went back to the town he came for – had to reconsider his life and career plans.

A week later

He called me about a week later … “could I talk with him for a minute or two?”

Continue reading “Why did I become a professional guitar player?”

Posted on

Playing with Richard Smith

A couple of weeks ago I did some clinics and concerts together with guitar ace Richard Smith. We had some great days together and I definitely hope we’ll hook up again soon to do more of what we just did. Here’s a little something about those days.

Soren Reiff & Ricahrd Smith - copyright@Henrik Delfer
Soren Reiff & Ricahrd Smith – copyright@Henrik Delfer

Meeting Richard Smith

I’ve never met Richard before I picked him up at the airport a few hours before our first clinic the very same day. We had been skyping briefly once the week before, but beside that we have only been in contact by the internet. Kind of interesting starting point when you are supposed to do concerts and clinics without time to rehearse together.

How did we get to connect?

Continue reading “Playing with Richard Smith”

Privacy Policy Proudly powered by WordPress